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    <title>CarlGardner.co.uk &#45; Reviews</title>
    <link>http://carlgardner.co.uk/reviews/</link>
    <description>Reviews of items I have seen, read, eaten or participated in</description>
    <dc:language>en</dc:language>
    <dc:creator>carl@freelanceintellectual.com</dc:creator>
    <dc:rights>Copyright 2009</dc:rights>
    <dc:date>2009-12-21T19:36:01+00:00</dc:date>
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    <item>
      <title>Son, aunt and mother</title>
      <link>http://carlgardner.co.uk/reviews/comments/son_aunt_and_mother/</link>
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      <description><![CDATA[ 
                          <h3><em>Nowhere Boy</em>, directed by Sam Taylor-Wood</h3> <p><img height="355" src="/themes/site_themes/default/img/uploads/nowhereboy.jpg" width="550" /></p> <p class="reference"><em>&copy; Mars Distribution</em></p> <p><em>Nowhere Boy </em>is bound to attract interest because of its subject; and hardened fans of John Lennon will of course love it. It's important to ask about a film like this, though, how interesting it would be were its central character not a famous personality. The answer, I'm afraid, is that <em>Nowhere Boy</em> would not be of great interest. It covers a key period of John Lennon's life, from when he was fifteen until his departure with the Beatles for Hamburg. But music is in &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/son_aunt_and_mother/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-12-21T19:36:01+00:00</dc:date>
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    dc:title="Son, aunt and mother"
    dc:identifier="http://carlgardner.co.uk/reviews/311/" 
    dc:subject="Film,Cinema"
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    dc:creator="Carl Gardner"
    dc:date="2009-12-21 07:36:01 PM GMT" />
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    <item>
      <title>Bump, clunk, scream!</title>
      <link>http://carlgardner.co.uk/reviews/comments/bump_clunk_scream/</link>
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      <description><![CDATA[ 
                          <h3><em>Paranormal Activity</em> directed by Oren Peli</h3> <p><img height="320" src="/themes/site_themes/default/img/uploads/paranormalactivity.jpg" width="550" /></p> <p class="reference"><em>Blumhouse Productions/Icon</em></p> <p>Katie and Micah, a young couple in San Diego, hear strange bumps in the night; Micah buys a fancy video camera to capture evidence in case something weird is happening in their home. And it is. We, the audience, see through the lens as the video evidence accumulates, the bumps get bumpier and the nights get both stranger and scarier.</p> <p><em>Paranormal Activity</em> isn't your normal cinematic experience - although obviously a lot of work and editing has gone into it, it's very proudly a low-budget <em>Blair &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/bump_clunk_scream/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-11-22T13:05:00+00:00</dc:date>
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    dc:title="Bump, clunk, scream!"
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    dc:subject="Film,Cinema"
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    dc:creator="Carl Gardner"
    dc:date="2009-11-22 01:05:00 PM GMT" />
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    <item>
      <title>Chekhov and a chick&#45;pea</title>
      <link>http://carlgardner.co.uk/reviews/comments/chekhov_and_a_chick_pea/</link>
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                          <h3><em>Cold Souls </em>directed by Sophie Barthes</h3> <p><img height="365" src="/themes/site_themes/default/img/uploads/coldsouls.jpg" width="550" /></p> <p class="reference"><em>Adam Bell | Samuel Goldwyn Films</em></p> <p><a href="http://coldsoulsthemovie.com/#/home"><em>Cold Souls</em></a> is an entertaining watch, and amusing &ndash; though not hilarious, not especially satirical, and doing nothing very original. It's a bit like <em>Being John Malkovich</em> crossed with <em>Eternal Sunshine</em>, and not quite as interesting as either.</p> <p>Paul Giamatti plays himself. Exhausted with anxiety during rehearsals of <em>Uncle Vanya</em> (there's a Woody Allenish feel about this, as about much of the film), he chances upon an article in the <em>New Yorker </em>about a new technique for lifting your psychic burdens &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/chekhov_and_a_chick_pea/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-11-16T20:00:01+00:00</dc:date>
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    dc:title="Chekhov and a chick&#45;pea"
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    dc:subject="Film,Cinema"
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    dc:date="2009-11-16 08:00:01 PM GMT" />
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    <item>
      <title>I&#8217;m scared, Harry</title>
      <link>http://carlgardner.co.uk/reviews/comments/im_scared_harry/</link>
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      <description><![CDATA[ 
                          <h3><em>Harry Brown</em>, directed by Daniel Barber</h3> <p><img height="308" src="/themes/site_themes/default/img/uploads/harry-brown.jpg" width="550" /></p> <p class="reference"><em>&copy;Lionsgate</em></p> <p>The director Daniel Barber and his cast and crew do well with this material. <em>Harry Brown</em> begins in a very artsy way &ndash; not that there's anything wrong with that - but becomes more straightforward as the action gets moving, while retaining some interest in visuals throughout. Performances are decent all round, Emily Mortimer and David Bradley I thought doing particularly well, she as the idealistic, perhaps naive Detective Inspector Frampton and he as Harry Brown's grumpy old mate Len - each making something of a part &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/im_scared_harry/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-11-10T14:51:01+00:00</dc:date>
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    dc:title="I&apos;m scared, Harry"
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    dc:subject="Film,Cinema"
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    dc:creator="Carl Gardner"
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    <item>
      <title>Inglourious, stupid and objectionable</title>
      <link>http://carlgardner.co.uk/reviews/comments/inglourious_stupid_and_objectionable/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/inglourious_stupid_and_objectionable/#When:10:12:01Z</guid>
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                          <h3><em>Inglourious Basterds</em>, directed by Quentin Tarantino</h3> <p><img height="367" src="/themes/site_themes/default/img/uploads/inglourious_basterds_002.jpg" width="550" /></p> <p class="reference"><em>&copy; Fran</em><em>&ccedil;ois Duhamel/The Weinstein Company</em></p> <p>In this stupid and objectionable film, Brad Pitt plays Lieutenant Aldo Raine, a rhetorically and morally challenged Tennessee tough who, in advance of D-Day, recruits emigr&eacute; German and Austrian Jews to form an irregular band of marauders to torture and murder German soldiers in occupied France. They plan to blow up Hitler and his Nazi high command at a film premiere in Paris: unfortunately, British intelligence has the same plan, as does the young, secretly Jewish woman who will welcome the F&uuml;hrer to &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/inglourious_stupid_and_objectionable/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-09-07T10:12:01+00:00</dc:date>
    </item>
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    dc:title="Inglourious, stupid and objectionable"
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    dc:subject="Film,Cinema"
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    dc:creator="Carl Gardner"
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    <item>
      <title>A French folly</title>
      <link>http://carlgardner.co.uk/reviews/comments/a_french_folly/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/a_french_folly/#When:00:13:01Z</guid>
      <description><![CDATA[ 
                          <h3><em>Les Demoiselles de Rochefort</em> directed by Jacques Demy</h3> <p><img height="372" src="/themes/site_themes/default/img/uploads/demoiselles-de-rochefort.jpg" width="550" /></p> <p class="reference"><em>H&eacute;l&egrave;ne Jeanbrau/Cin&eacute; Tamaris</em></p> <p>Jacques Demy&rsquo;s 1967 musical is sheer nonsense. Enjoyable nonsense, undoubtedly, but nonsense through and through. Catherine Deneuve and Fran&ccedil;oise Dorl&eacute;ac, sisters in real life, play twins here. Delphine Garnier teaches ballet while Solange composes concerti at her piano. Each dreams of Paris, and meeting her dream man. We get to know them and their circle, inhabitants of Rochefort each with his or her sad story &ndash; until a fair comes to town and, with a romantic sailor and Gene Kelly thrown in, magical &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/a_french_folly/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, DVD, Cinema</dc:subject>
      <dc:date>2009-08-16T00:13:01+00:00</dc:date>
    </item>
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    dc:title="A French folly"
    dc:identifier="http://carlgardner.co.uk/reviews/303/" 
    dc:subject="Film,DVD,Cinema"
    dc:description=""
    dc:creator="Carl Gardner"
    dc:date="2009-08-16 12:13:01 AM GMT" />
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    <item>
      <title>Programmes and people</title>
      <link>http://carlgardner.co.uk/reviews/comments/programmes_and_people/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/programmes_and_people/#When:06:26:01Z</guid>
      <description><![CDATA[ 
                          <h3><em>Moon</em>, directed by Duncan Jones</h3> <p><img height="365" src="/themes/site_themes/default/img/uploads/moon.jpg" width="550" /></p> <p class="reference"><em>&copy; Sony Pictures Classics</em></p> <p>Sam Rockwell plays Sam Bell, an astronaut living alone on the far side of the Moon working out his contract with Lunar Industries, a company that mines material to make alternative energy on earth. Sam&rsquo;s looking forward to coming home soon: his contract&rsquo;s nearly up. But as he watches taped messages from his wife and daughter, strange things begin to happen; following an accident, he begins to wonder how alone he really is.</p> <p>The plot isn&rsquo;t easy: Sam is confused by what&rsquo;s going on for &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/programmes_and_people/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-08-12T06:26:01+00:00</dc:date>
    </item>
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    dc:title="Programmes and people"
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    <item>
      <title>Offensiv? Wassever</title>
      <link>http://carlgardner.co.uk/reviews/comments/offensiv_wassever/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/offensiv_wassever/#When:06:00:01Z</guid>
      <description><![CDATA[ 
                          <h3><em>Br&uuml;no</em>, directed by Larry Charles</h3> <p><img height="365" src="/themes/site_themes/default/img/uploads/2009-07-19-bruno.jpg" width="550" /></p> <p class="reference"><em>&copy; Universal Pictures</em></p> <p>If there's a country that should love Br&uuml;no, then it's his home country Austria. It's famously stuffy in parts; but in contrast, Austrians love a good stunt - or <em>Aktion</em> - that punctures it all. So Vienna is the home of the absurd, ritualistic <a href="http://www.youtube.com/watch?v=9Ll9bZXgj3A"><em>Neujahrskonzert</em></a>, but also of the superb <a href="http://www.gemueseorchester.org/index.php">Vienna Vegetable Orchestra</a>, whose version of the <a href="http://www.ubermorgen.com/vegetables/radetzky_marsch.mp3">Radetzky March</a> is the best you'll ever hear. I knew Sacha Baron-Cohen from his character Ali G, but had missed his previous film <em>Borat</em>: a friend &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/offensiv_wassever/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-07-24T06:00:01+00:00</dc:date>
    </item>
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    dc:title="Offensiv? Wassever"
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    <item>
      <title>She really is good</title>
      <link>http://carlgardner.co.uk/reviews/comments/she_really_is_good/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/she_really_is_good/#When:15:54:00Z</guid>
      <description><![CDATA[ 
                          <h3>Emmy the Great at the QEH</h3> <p><img height="365" src="/themes/site_themes/default/img/uploads/emmythegreat.jpg" width="550" /></p> <p class="reference"><a href="http://www.flickr.com/photos/aguichard/3736238571/"><em>Aur&eacute;lien</em></a>/<a href="http://creativecommons.org/licenses/by-sa/2.0/deed.en"><em>CreativeCommons</em></a></p> <p>I don't often go to anything that could be called a "gig" - my idea of a concert often involves Mahler and my idea of a music festival is the Proms. But the Queen Elizabeth Hall is a pretty safe venue for the likes of me, free of "mosh pits" and the like, so I was happy to be dragged along to hear Emmy, the 24-year old British singer-songwriter whose debut album, <a href="http://open.spotify.com/album/3r05pRY88M5NRwmIybNzaj"><em>First Love</em></a>, was released this year. She must have a pretty broad &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/she_really_is_good/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Music, Concerts</dc:subject>
      <dc:date>2009-07-20T15:54:00+00:00</dc:date>
    </item>
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    dc:title="She really is good"
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    dc:subject="Music,Concerts"
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    dc:creator="Carl Gardner"
    dc:date="2009-07-20 03:54:00 PM GMT" />
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    <item>
      <title>England refashioned</title>
      <link>http://carlgardner.co.uk/reviews/comments/england_refashioned/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/england_refashioned/#When:00:03:00Z</guid>
      <description><![CDATA[ 
                          <h3><em>The Northern Clemency,</em> by Philip Hensher</h3> <p><img height="336" src="/themes/site_themes/default/img/uploads/sheffield.jpg" width="550" /></p> <p class="reference"><em><a href="http://www.flickr.com/photos/norfolkodyssey/397736980/">photo</a> courtesy of <a href="http://simonknott.com/">simonknott.com</a></em></p> <p><a href="http://astore.amazon.co.uk/carlgardner-21/detail/0007174802">This</a> is a subtly political novel. In the reading it hardly seems so at all, except for a few obviously political passages like the mass picket at Orgreave - which are arguably superficial, although the Orgreave scene is a fine set-piece. For the most part Hensher&rsquo;s narrative is resolutely domestic and personal: it&rsquo;s about childhood and adolescence, boys who are good with girls, pet snakes, middle-aged dissatisfaction, a woman&rsquo;s crush on her boss, an arrest, dementia, migration. It&rsquo;s a provincial novel &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/england_refashioned/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Books, Fiction</dc:subject>
      <dc:date>2009-06-30T00:03:00+00:00</dc:date>
    </item>
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    dc:title="England refashioned"
    dc:identifier="http://carlgardner.co.uk/reviews/290/" 
    dc:subject="Books,Fiction"
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    <item>
      <title>Don&#8217;t you want to be happy?</title>
      <link>http://carlgardner.co.uk/reviews/comments/dont_you_want_to_be_happy/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/dont_you_want_to_be_happy/#When:14:21:01Z</guid>
      <description><![CDATA[ 
                          <h3><em>This Sporting Life</em>, directed by Lindsay Anderson</h3> <p><img height="398" src="/themes/site_themes/default/img/uploads/2009-06-07-this-sporting-life.jpg" width="550" /></p> <p class="reference"><a href="http://www.parkcircus.com/releases/this-sporting-life"><em>&copy;Park Circus</em></a></p> <p>This is a fabulous film. David Storey is one of our most underrated writers, and this, his screenplay of his own outstanding novel, is superbly filmed by Lindsay Anderson and played by Richard Harris, in the role of his career, and Rachel Roberts. I have to admit to a small obsession with <em>This Sporting Life</em>: rugby league was a big part of my teenage life in Warrington, and this, perhaps the most famous film about sport, is rugby league's most important representation in high &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/dont_you_want_to_be_happy/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-06-07T14:21:01+00:00</dc:date>
    </item>
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    dc:title="Don&apos;t you want to be happy?"
    dc:identifier="http://carlgardner.co.uk/reviews/287/" 
    dc:subject="Film,Cinema"
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    <item>
      <title>All the world&#8217;s a set</title>
      <link>http://carlgardner.co.uk/reviews/comments/all_the_worlds_a_set/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/all_the_worlds_a_set/#When:23:19:00Z</guid>
      <description><![CDATA[ 
                          <h3><em>Synecdoche, New York</em> directed by Charlie Kaufman</h3> <p><img height="368" src="/themes/site_themes/default/img/uploads/synecdoche.jpg" width="550" /></p> <p class="reference"><a href="http://www.allmoviephoto.com/photo/2008_synecdoche_new_york_020.html"><em>Abbot Gensler, &copy;Sony Pictures Classics</em></a></p> <p>Philip Seymour Hoffman plays Caden Cotard, a theatre director whose marriage falls apart as he is struck by a strange neurological condition - and who, handed unlimited funds for his work, realises a mad artistic vision of his own life -&nbsp; and all life - in a vast, hangar-like space in New York. He hires actors to play himself and his lover Hazel, and life and representation merge till we are no longer sure who is director, who is actor, and &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/all_the_worlds_a_set/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-05-26T23:19:00+00:00</dc:date>
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    dc:title="All the world&apos;s a set"
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    dc:subject="Film,Cinema"
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    <item>
      <title>Starstruck in America</title>
      <link>http://carlgardner.co.uk/reviews/comments/starstruck_in_america/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/starstruck_in_america/#When:23:57:00Z</guid>
      <description><![CDATA[ 
                          <h3><em>In The Loop</em>, directed by Armando Iannucci</h3> <p><img height="366" src="/themes/site_themes/default/img/uploads/20090520-in-the-loop.jpg" width="550" /></p> <p class="reference"><a href="http://www.allmoviephoto.com/photo/2009_in_the_loop_003.html"><em>&copy;IFC Films</em></a></p> <p>It's such a shame &ndash; but I'm afraid <em>In The Loop</em> just doesn't live up to expectations. Directed and co-written by Armando Ianucci, it's based of course on his TV comedy <em>The Thick of It</em>. But if you loved that series, I think you'll find the film version disappointing.<br /><br />Tom Hollander plays a hapless international development minister Simon Foster, propelled into the eye of a political storm by saying a war is &ldquo;unforeseeable&rdquo;: doves in Washington seize on him as a pawn in &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/starstruck_in_america/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-05-20T23:57:00+00:00</dc:date>
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    dc:title="Starstruck in America"
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    dc:subject="Film,Cinema"
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    <item>
      <title>Shrunk for the big screen</title>
      <link>http://carlgardner.co.uk/reviews/comments/shrunk_for_the_big_screen/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/shrunk_for_the_big_screen/#When:21:16:00Z</guid>
      <description><![CDATA[ 
                          <h3><em>State of Play</em>, directed by Kevin Macdonald</h3> <p><img height="366" src="/themes/site_themes/default/img/uploads/stateofplay.jpg" width="550" /></p> <p class="reference"><a href="http://www.allmoviephoto.com/photo/2009_state_of_play_033.html"><em>&copy;Universal Pictures</em></a></p> <p>A political researcher falls under a subway train &ndash; was she pushed? And when her boss, Congressman Stephen Collins (Ben Affleck), cries in public at the news of her death, the secret of their affair comes out. Was Collins the heartless exploiter of this young woman? Or was she killed by corporate interests threatened by Collins and his committee's investigations into their murky world? His friend, reporter Cal McAffrey (Russell Crowe) and blogger Della Frye (Rachel McAdams) hunt for the truth in a paranoid &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/shrunk_for_the_big_screen/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-05-06T21:16:00+00:00</dc:date>
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    <item>
      <title>Blokes messing about in the future</title>
      <link>http://carlgardner.co.uk/reviews/comments/blokes_messing_about_in_the_future/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/blokes_messing_about_in_the_future/#When:14:59:00Z</guid>
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                          <h3><em>Frequently Asked Questions About Time Travel</em>, directed by Gareth Carrivick</h3> <p><img height="347" src="/themes/site_themes/default/img/uploads/FAQATT.jpg" width="550" /></p> <p class="reference"><em>&copy;BBC Films</em></p> <p>This is a reasonably fun, slight film, a sort of <em>Shaun of the Dead</em> meets <em>Back to the Future</em>. Ray, Pete and Toby are typical hopeless Britblokes with rubbish jobs; in fact things are so bad that at least two of them are obsessed with science fiction. But on a trip to the pub life suddenly becomes much more exciting as Ray meets Cassie, a woman from the future, on his way back from the bar and Pete, emerging from the gents, &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/blokes_messing_about_in_the_future/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-04-29T14:59:00+00:00</dc:date>
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    <item>
      <title>Belle époque bitching and the dodgy narrator</title>
      <link>http://carlgardner.co.uk/reviews/comments/belle_epoque_bitching_and_the_dodgy_narrator/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/belle_epoque_bitching_and_the_dodgy_narrator/#When:13:33:00Z</guid>
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                          <h3><em>Ch&eacute;ri</em>, directed by Stephen Frears</h3> <p><img height="363" src="/themes/site_themes/default/img/uploads/cheri.jpg" width="550" /></p> <p class="reference"><em>&copy;Bill Kenwright Films</em></p> <p>Many will be attracted to this period drama, directed by Stephen Frears - who was responsible for <em>Dangerous Liaisons</em> - and starring Michelle Pfeiffer; but they'll be disappointed, because it doesn't justify the comparison. Set in Paris in 1906, <em>Ch&eacute;ri</em> is the story of L&eacute;a, a courtesan who's made an independent fortune from affairs with rich men, and who takes under her wing (so to speak) the son of one of her old colleagues, Mme. Peloux (Kathy Bates). Fred is a feckless, vain, sensitive boy of &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/belle_epoque_bitching_and_the_dodgy_narrator/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-04-27T13:33:00+00:00</dc:date>
    </item>
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    <item>
      <title>Sit down for ninety minutes; decide he was right</title>
      <link>http://carlgardner.co.uk/reviews/comments/sit_down_for_ninety_minutes_then_decide_he_was_right/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/sit_down_for_ninety_minutes_then_decide_he_was_right/#When:08:09:01Z</guid>
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                          <h3><em>The Damned United</em> directed by Tom Hooper<br /></h3> <p><img height="365" src="/themes/site_themes/default/img/uploads/damnedunited.jpg" width="550" /></p> <p class="reference"><em>photo courtesy of Grenville Charles, <a href="http://www.grenvillecharles.co.uk/">grenvillecharles.co.uk</a></em></p> <p>A good film, this - a hugely entertaining and likeable translation to the screen of David Peace's novel <em>The Damned Utd</em>. Michael Sheen <a href="/reviews/comments/more_duet_than_duel/">impresses again in the role of a real character</a>, this time the brilliant soccer manager Brian Clough, a simply amazing personality football couldn't handle but whose league championships with Derby and European Cups with Nottingham Forest, both of them unfashionable clubs raised from lower divisions by Clough, speak for themselves. <em>The Damned United</em> focuses on &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/sit_down_for_ninety_minutes_then_decide_he_was_right/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Books, Fiction, Film, Cinema</dc:subject>
      <dc:date>2009-04-01T08:09:01+00:00</dc:date>
    </item>
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    dc:title="Sit down for ninety minutes; decide he was right"
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    dc:subject="Books,Fiction,Film,Cinema"
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    <item>
      <title>American Emotional</title>
      <link>http://carlgardner.co.uk/reviews/comments/american_emotional/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/american_emotional/#When:13:39:01Z</guid>
      <description><![CDATA[ 
                          <h3><em>Fireflies in the Garden</em>, directed by Dennis Lee</h3> <p><img height="366" src="/themes/site_themes/default/img/uploads/fireflies.jpg" width="550" /></p> <p class="reference"><a href="http://www.ecranlarge.com/movie_image-list-9587-2-movie.php"><em>&copy;Senator International</em></a></p> <p>This is a flawed attempt at the great American family drama. Michael, a <em>wrider</em> living in New York, loses his mother in a car accident just before a family reunion in the sticks: meeting his aunt Jane and her children and reliving the memories of his troubled childhood helps him reconcile with those around him. Unsurprisingly for a film about a <em>wrider</em> coming home and about to publish a semi-autobiographical novel, Dennis Lee's screenplay is itself semi-autobiographical &ndash; and very, very emotional. If &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/american_emotional/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-03-31T13:39:01+00:00</dc:date>
    </item>
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    dc:title="American Emotional"
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    <item>
      <title>Stake this film&#8217;s misogynist heart!</title>
      <link>http://carlgardner.co.uk/reviews/comments/stake_this_films_misogynist_heart/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/stake_this_films_misogynist_heart/#When:15:22:00Z</guid>
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                          <h3><em>Lesbian Vampire Killers</em>, directed by Phil Claydon</h3> <p><img height="316" src="/themes/site_themes/default/img/uploads/lesbian-vampire-killers-210.jpg" width="550" /></p> <p class="reference"><em>&copy; Momentum Pictures</em></p> <p>It's trying to be <em>Withnail and I </em>meets <em>Shaun of the Dead</em>. But really it's just yet another lad comedy about two useless buddies, in this case Jimmy (Mathew Horne) and Fletch (James Corden). As usual, one gets fired from a rubbish job involving a silly costume, while the other has trouble with an on-off girlfriend; so they holiday in a cursed village where, with some &ldquo;hot babes&rdquo;, they're besieged by pouting lesbian vampires until a Van Helsing-type vicar (Paul McGann, in a role &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/stake_this_films_misogynist_heart/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-03-16T15:22:00+00:00</dc:date>
    </item>
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    dc:title="Stake this film&apos;s misogynist heart!"
    dc:identifier="http://carlgardner.co.uk/reviews/264/" 
    dc:subject="Film,Cinema"
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    dc:creator="Carl Gardner"
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    <item>
      <title>Faith and truth</title>
      <link>http://carlgardner.co.uk/reviews/comments/faith_and_truth/</link>
      <guid>http://carlgardner.co.uk/reviews/comments/faith_and_truth/#When:13:25:00Z</guid>
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                          <h3><em>Doubt</em>, directed by John Patrick Shanley</h3> <p><img height="364" src="/themes/site_themes/default/img/uploads/doubt.jpg" width="550" /></p> <p class="reference"><a href="http://www.allmoviephoto.com/photo/2008_Doubt_photo.html"><em>Photo: Andrew Schwartz/Miramax</em></a></p> <p>I don't always go to films recommended by my mother - but she was right to tell me to see this. Sister Aloysius is principal of a Catholic school in the Bronx in 1964, just as Catholicism is trying to adapt to the modern world at Vatican II. Sister Aloysius has no time for modernity, though, or for sixties touchy-feeliness. She is feared by children and nuns alike, and likes it that way. But she has a problem: the young, relaxed and tactile Father &#8230;<br/><br/><a href='http://carlgardner.co.uk/reviews/comments/faith_and_truth/'>Continue Reading...</a>
              ]]></description>
      <dc:subject>Film, Cinema</dc:subject>
      <dc:date>2009-03-02T13:25:00+00:00</dc:date>
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